It’s impossible to analyze a hit then use that template to churn out your own. Why? Obviously it’s that intangible, emotional connection with the listener that’s made in some unique way, which we can’t “measure”. But not to worry. There’s plenty to learn from ‘measuring’ a hit.
Measuring current hits empowers you by finding common threads that work consistently. I’m not suggesting you should never venture to the ‘artsy’ side of the songwriting globe. When I was on the Row I encouraged writers to develop that artsy side. I truly believe it makes a writer stronger. But… it rarely pays the bills. Country is far less forgiving than rock in stretching boundaries.
‘Art’ can mean various things such as unusual song form, ‘poetic’ language (NOT poetry), odd chord progressions, etc.
Just as all physical exercise brings more power and agility, I’ve found that writers who exercise their ‘artsy’ side keep that creative muscle in the right-side of their head strong, ready, and more capable of developing a unique way of saying something (lyrically and melodically) when working within those often perceived confining commercial boundaries I’ve heard many complain about. But don’t spend too much time in that realm. Maybe 90/10 ‘commercial’ to ‘art’.
If you really want to write hits you must know what works with the mass general public and then write predominantly within those boundaries. Don’t like it? Then prepare to move the boundaries of your Music Row songwriter dreams inward… significantly.
Don’t already own a measuring stick? Let’s begin carving one for you. Here are a few good marks to place on it:
Time signature
General Subject
Viewpoint
Form
Time to Title
Length
Tempo (general)
There are other marks you can place on your stick, but these are a good start.
Next time in ‘Measuring a Hit’ we’ll lay my measuring stick beside the #1 country song of the week.
Till then, keep writing!
