Thursday, July 26, 2007

Songwriting Mistakes:
Restating


I’ve had several consultations lately with newer writers whose songs suffer from the same ailment, and as a result I’ve received permission from one of those songwriters to post the beginnings of a song he’s currently writing to illustrate.

Before we talk about that let me make a brief point.

For newer writers it’s important not to become discouraged at the amount of rewriting that needs to be done. Learning to write solid songs is like a funnel. In the beginning you’ll need to rework large sections dealing with the more basic issues of successful songwriting. As you learn and write more, it’s the ever-smaller details that need to be picked apart and polished.

Keep in mind that even for professionals great songs are rarely written, they’re re-written.

The first draft of the song from my benevolent ‘student’ suffers primarily from a lack of moving forward, due in part to not focusing on a specific scenario. Each and every line of your song should move the song forward rather than restate something or merely provide non-descriptive, general information. Many newer writers fall prey to writing their first line then restating that line throughout the majority of the song. Without a specific scenario in your head, it’s difficult.

Successful songwriters, in and out of Nashville, learn to ‘speak’ in a fresh way about the same subjects. How many ways are there to say I miss someone?

     Here are just a few ways it’s been said:
     (think how each approaches the subject differently)

     “Crazy Arms” (Seals/Mooney)
     “Act Naturally” (Russell/Morrison)
     “I Still Miss Someone” (Cash)
     “Hello Walls” (Nelson)
     “I Miss My Mary Tonight” (Ketchum)
     “Loving Her Was Easier” (Kristofferson)
     “I Fall to Pieces” (Howard/Cochran)
     “Half a Man’” (Nelson)
     “Farewell Party” (Williams)
       etc.


How many hits has Alan Jackson written on this one subject?
(again, focus on how each approaches the subject differently)

     “She’s Got the Rhythm” (Jackson/Travis)
     “Here in the Real World” (Jackson/Irwin)
     “Who Says You Can’t Have it All” (Jackson/McBride)
     “Wanted” (Jackson/Craig)
     “Dallas” (Jackson/Stegall)
       etc.


So with that, here are some of the notes I made for the songwriter I mentioned at the beginning of this post regarding the first draft of a song in progress.


Til next time…